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5: Themes and ideologies in American popular film / edited by Paul Loukides and Linda K. Bowling Green, Ohio : Bowling Green University Popular Press, c1990- Contents: Introduction: what automobility offers cultural studies -- Rewriting prohibitions with narratives of possibility -- Before the road genre: the beats and on the road -- TV gets hip on Route 66 -- Kesey's quixotic acid road film -- Road film rising: Hell's Angels, merry pranksters, and easy -- Riders -- Genre and gender in 1970s new Hollywood -- Back to the family, or, rewinding the postmodern road story -- Rebels with a cause: genre and identity politics -- First-person players: the digital, "transmedia" road story.Contents: My family -- The University of Wisconsin -- Los Angeles and monogram -- Allied artists -- The 1950s -- The screen producers guild -- Back at allied artists -- Moulin Productions, Inc.Here a cast of pioneering writers, directors, producers and actors talk about the 70's, their films and their colleagues. A documentary of Peter Biskind's controversial, best-selling book, which chronicles edgy, impressionistic pictures made by maverick, now-legendary directors such as Scorsese, Coppola, Lucas, Altman, Polanski and Peckinpah. Focuses on the preference of a group of upstart directors to work alongside film studios to revolutionize it."The 1960s explosion -- World cinema 1970 to the present -- The new Hollywood." In: A short history of film / Wheeler Winston Dixon & Gwendolyn Audrey Foster. Includes interviews with many directors, writers, actors, etc. Growth of the directors through working hand in hand with film studios; Directors that rose to prominence in the nineteen seventies; Price of using the system for directors. Hollywood and Female Audiences since the 1960s." In: Identifying Hollywood's audiences : cultural identity and the movies / edited by Melvyn Stokes and Richard Maltby. Contents: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last - or first - great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland Mc Donagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T.
soft-core : movie censorship, 1968-1973 -- Hollywood v."A microhistory of the interconnections-both literal, through personal relations, and theoretical-between radical feminism and avant-garde film culture views culture as a model for politics during the 1960s.In short, radical feminism owed much of its rhetoric and practice to avant-garde film.Beginning with the screenings of Schmeerguntz, feminists moved against female stereotypes with the Miss America action (to get media coverage), documented the history of women's struggle in Newsreel's The Woman's Film (to challenge the news media), and experimented with visions of femininity through personal films and happenings (to unravel domesticity-its bliss and horror).This parallels three 1960s film practices: New Hollywood, a commercial response to the end of the studios and the rise of television (filmmaking as industrial production); documentary, to track issues within New Left politics (filmmaking as collective activity); and the Underground, a celebration of the counter-culture (filmmaking as personal vision)." [EBSCO] "The Whole World was Watching: Power to the People Pictures." In: Progressive Hollywood : a people's film history of the United States / by Ed Rampell. Paul, MN : Distributed in the USA and Canada by Consortium Book Sales and Distribution, c2005.
The author reflects on the idea of a "golden age" of American cinema.